![]() ![]() Set the Output to ‘Dual Processing’ and set the Dry/Wet Amount to about 50-70% Wet.Select the Condenser option under Microphone.In the Cabinet device set the Speaker to ‘2×12’, and the Microphone to ‘Near Off-Axis’.Pick a sound you like, then drop a Cabinet device onto the track.It can also add new life to synths and other sounds. This techniques sounds great with live instruments (like guitars and vocals). The Cabinet device is very useful for emulating the sound of a speaker recorded with a microphone. Finally you can capture or resample this reverb tail to create different kinds of effects such as risers, pads, and textures.Ġ4 Simulate a Microphone Recording a Speaker with Cabinet.This freezes the reverb tail sound in time. After the sound plays once and you hear how the reverb tail sounds, press the freeze button on the reverb device.First, take any sound and apply a reverb with a long decay time.This is a quick and interesting method for creating ambient textural sounds for your mix using frozen reverb tails in Ableton Live. Try experimenting with the parameters to find cool sounding pitch bend effects.Finally, adjust the pitch value to get the desired sound.Next set the delay to time based mode (click ‘sync’ button’), and bring the decay value all the way down to 1.00ms.Insert a Grain Delay device onto the channel you’d like to pitch bend.Grain Delay in Ableton Live can be used in interesting ways as a creative effect such as changing the pitch of vocals. Now you’ll have a drum rack with perfectly sliced phrases.Finally select the “Warp Marker” option and press “OK”. Next, right click on the audio file and click ‘Slice to New MIDI track’.Load your vocal sample and set warp markers at the beginning of each phrase that you’d like to chop and separate into slices.This is a simple technique for processing and “playing” acapellas or recorded vocals. 01 Cut an Acapella into Phrases Using “Slice Audio to MIDI” These tips are aimed to inspire creativity and get you up and running quickly with simple techniques using a variety of Ableton Live devices. This will now show up as a clip.In case you missed them, on Facebook or Twitter we’re offering a roundup of some of our latest Splice tips using Ableton Live for music production. Once you've found a sample you like, drag it into an empty clip slot by clicking and holding with the left mouse button. To hear a preview, select Click to Preview from the bottom of the browser. Clips are usually longer samples, but most of them won't preview when you click them. If you want something a bit more complex, select Clips from the Categories submenu. Most of these will be short sounds of people or instruments. You can use the cursor or the arrow keys to select a sample, and doing so will play a preview of it. Use the right side of the browser to search for some sounds you like - Ableton comes with lots of samples, and each version (Intro, Standard, and Suite) comes with a different selection. ![]() Open the Browser from the left hand side - it's time to find some sounds! Underneath Categories, select Samples. If you only have one track, you won't be able to delete it. You can delete tracks by right-clicking on the track title bar and selecting Delete, or by left-clicking the title bar and using your delete or backspace key. Go ahead and delete the two MIDI tracks and one audio track so you are left with one track. The default values are sufficient for now. Here you can enable or disable the track, adjust settings such as pan or gain, and route audio from or to nearly any other place. Underneath the clip slot is a mini control panel for each track. Each clip slot can contain one clip (a piece of or a whole song/sound). You can right-click here to change the name and color of the track. The top of the track is known as the Track Title Bar. Don't worry about these for now.Įach track has the same basic structure. These provide a route for processing audio and returning it back. These can play and record sounds from other devices (such as a microphone or other device), but they cannot generate any sounds on their own.įinally, there are Return Tracks. MIDI devices and tracks are covered comprehensively later on, but for now, think of them as a way of generating a sound, like a keyboard or guitar.Īudio tracks are the opposite of MIDI tracks. ![]() MIDI tracks can only accept MIDI instruments, and cannot play samples themselves. Before you can make any music, you need to understand the difference between tracks. ![]()
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